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Sol LeWitt

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  • Minimal Means: Concrete Inventions in the US, Brazil and Spain. Installation view with works by Lygia Pape, Josef Albers and Sol LeWitt.

    Minimal Means: Concrete Inventions in the US, Brazil and Spain. Curated by Joan Robledo-Palop

    JONATHAN GOODMAN, Arte Fuse, March 8, 2019
  • Joan Robledo-Palop in front of a Josef Albers painting at his exhibition “Minimal Means” in New York, 2019. Photographed by Res.

    Nina Blumberg interviews Joan Robledo-Palop

    Nina Blumberg, Cultbytes, February 19, 2019
  • Caja metafísica por conjunción de dos triedros, por Jorge Oteiza, 1972-74.

    Abstracciones sin fronteras

    Descubrir el Arte, February 18, 2019
  • Anni and Josef Albers photographed at home by Henri Cartier-Bresson in 1968. Photo © Henri Cartier-Bresson / Magnum Photos

    GALLERIES: ‘Minimal Means: Concrete Inventions in the US, Brazil and Spain’

    Daily Plinth, February 14, 2019
  • Elena Asins. Untitled, 1978 (detail). Ink on paper, 11.7 x 16.5 in. (29.8 x 42 cm). Private Collection, New York. Image courtesy of Zeit Contemporary Art, New York. Photo: Dario Lasagni

    Artists Bianca Boragi and Julia Rooney to lead talk on Minimal Means exhibition

    ArtFixDaily, February 13, 2019
  • Works by Jorge Oteiza, Elena Asins, Helio Oiticica, Anni Albers, Lygia Clark and Willys de Castro at Minimal Means. Courtesy of Zeit Contemporary Art, New York

    Minimal Means: Concrete Inventions in the US, Brazil and Spain

    José Juan Barba, Metalocus, February 8, 2019
  • Manuel Barbadillo. Cairate, 1968-1979. Acrylic on canvas 31 9/10 × 31 9/10 in (81 × 81 cm). Courtesy of Zeit Contemporary Art, New York

    Minimal Means

    Wall Street International Magazine, January 28, 2019
  • Fotografía cedida por Zeit Contemporary Art donde se aprecia la obra "Sin título - A V. Mayakovsky" (1987) del artista estadounidense Dan Flavin que forma parte de la exhibición "Minimal Means: Concrete Inventions in the US, Brazil and Spain" en la que pueden verse obras de un total de 17 artistas estadounidenses, brasileños y españoles de la década de los 50 y los 60. EFE/Zeit Contemporary Art

    El minimalismo de EE.UU. se fusiona con España y Brasil en Nueva York

    Helen Cook, El Obrero, January 25, 2019
  • Obra 'Metaesquema 189' (1958), do artista brasileiro Hélio Oiticica. Foto: EFE/Zeit Contemporary Art

    Minimalismo de EUA, Brasil e Espanha se fundem em Nova York

    Helen Cook, EFE, O Estadão, January 25, 2019
  • Works by Lygia Clark, Elena Asins and Jose Maria Yturralde in the exhibition Minimal Means. Image courtesy of Zeit Contemporary Art, New York

    El minimalismo de EE.UU. se fusiona con España y Brasil en Nueva York

    Helen Cook, La Vanguardia, January 24, 2019
  • Dan Flavin, untitled (to V. Mayakovsky) 1, 1987. Six 4-foot red fluorescent lights, 48 in. (122 cm) on the diagonal. Courtesy of Zeit Contemporary Art, New York.

    Zeit Contemporary Art opens the exhibition 'Minimal Means: Concrete Inventions in the US, Brazil and Spain'

    Artdaily, January 24, 2019
  • Lygia Clark. Estudo para Espaço Modulado (Study for Modulated Space), 1958. Collage, card 11 5/8 x 3 13/16 inches (29.6 x 9.8 cm). Image courtesy of Zeit Contemporary Art, New York

    Minimalismo de EUA, Brasil e Espanha se fundem em Nova York

    Helen Cook, UOL, Brazil, January 24, 2019
  • Elena Asins. 12 E 59 10 KV 575, 1979. White ink on black light cardboard. 25 3/5 × 19 7/10 in; 65 × 50 cm. Courtesy of Zeit Contemporary Art, New York

    Obras del minimalismo por primera vez reunidas en Nueva York

    El Universal, Mexico, January 24, 2019
  • José María Yturralde. Forma ritmo-espacio, 1966. Synthetic painting, oil and acrylic on wood. 43 1/3 x 41 3/4 x 1 in. (110 x 106 x 2.5 cm.). Image courtesy of Zeit Contemporary Art, New York

    El minimalismo internacional en Zeit

    Ana Robledano, Ars Magazine, January 22, 2019
  • Josef Albers - Homage to the Square: Golden, 1957. Oil on Masonite 32 x 32 in. (81.3 x 81.3 cm.). Courtesy of Zeit Contemporary Art, New York

    A Group Show at Zeit Contemporary Art Introduces a Dialogue on Minimal Means

    Elena Martinique, Widewalls, January 22, 2019
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