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Manolo Valdés

Manolo Valdés

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Open a larger version of the following image in a popup: Manolo Valdés, Untitled XIV (Jackie), 2003
Open a larger version of the following image in a popup: Manolo Valdés, Untitled XIV (Jackie), 2003

Manolo Valdés

Untitled XIV (Jackie), 2003
Graphite and collage on paper
11 5/8 x 8 1/4 in (29.5 x 21 cm)
© 2025 Manolo Valdés. Courtesy of Zeit Contemporary Art, New York
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Further images

  • (View a larger image of thumbnail 1 ) Manolo Valdés, Untitled XIV (Jackie), 2003
  • (View a larger image of thumbnail 2 ) Manolo Valdés, Untitled XIV (Jackie), 2003
Manolo Valdés’ ‘Untitled XIV (Jackie)’ exemplifies his method of graphite and collage on paper. Valdés often revisits iconic images, infusing them with contemporary sensibilities and a distinctive visual language. By...
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Manolo Valdés’ ‘Untitled XIV (Jackie)’ exemplifies his method of graphite and collage on paper. Valdés often revisits iconic images, infusing them with contemporary sensibilities and a distinctive visual language. By engaging with well-known works and figures, he bridges the past and present, inviting viewers to explore the layers of meaning within historical artworks and their relevance today. This process of re-contextualization not only honors the original works but also offers fresh perspectives and interpretations.


Henri Matisse, known for his mastery of line and form, has greatly influenced Valdés, particularly in his approach to portraiture. Matisse’s ability to capture the essence of his subjects with minimal, yet expressive lines resonates with Valdés’ artistic vision and technique. The subject of 'Untitled XIV (Jackie)' is based on a portrait by Matisse, reflecting Valdés’ admiration for the French artist's draftsmanship. Matisse's emphasis on line and shape finds a contemporary echo in Valdés’ work, where the simplicity of the line is used to convey depth and emotion. This connection underscores Valdés' interest in the power of line to define and transform the human figure.


The visual qualities of ‘Untitled XIV (Jackie)’ are both subtle and striking. Valdés employs precise, clean lines to delineate the portrait, creating a sense of clarity and simplicity. The use of graphite provides a soft, understated texture, while the collage technique adds depth and dimension. Layers of translucent paper overlap, giving the piece a three-dimensional quality and inviting viewers to explore the interplay of lines and materials. This meticulous technique highlights Valdés’ skill and creativity, demonstrating his ability to blend traditional drawing methods with innovative approaches to collage and layering.


Compared to Valdés' paintings, his drawings, such as ‘Untitled XIV (Jackie),’ offer a more intimate and delicate exploration of form and line. While his paintings often feature bold colors and textures, his drawings focus on the purity of line and the subtlety of composition. This piece exemplifies Valdés’ ability to capture complexity through simplicity, revealing the essence of his subject with minimal means. Over the past decades, Valdés has made significant contributions to contemporary art, continually pushing the boundaries of artistic expression and challenging conventional narratives. His work remains a testament to the enduring power of art history and its relevance in contemporary discourse.


NOTES

Signed in pencil ‘MValdes’ on the lower right side.


The authenticity of this artwork has been confirmed by Manolo Valdés himself and is accompanied by a certificate of authenticity issued by the artist. We extend our gratitude to Regina Valdés for her invaluable assistance in cataloguing this work.

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Provenance

Marlborough Gallery, New York
Private collection, United States
Private collection, New York
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