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Felipe Baeza redefines drawing and printmaking as acts of resistance, using layering, erasure, and fragmentation to explore themes of migration, identity, and transformation. His works, rich with spectral figures and shifting forms, challenge fixed definitions, embracing instability as a conceptual strategy. Through monoprinting, photolithography, and pochoir, he creates surfaces that breathe, dissolve, and reform, mirroring the fluidity of memory and the body. By privileging process over permanence, Baeza’s practice becomes an inscription of presence, offering a vision of art as a site of survival, reinvention, and radical fluidity.