Anni Albers reimagines printmaking as a continuation of Bauhaus weaving, translating structural intelligence into paper through screen, stone, plate, and pressure within the postwar workshop network. Her grids of triangles, meanders, and rotations pursue order without symmetry, testing figure/ground, diagonal, and interval through serial permutation. Across screenprint, lithography, intaglio, and blind embossing—from Triadic and Meanders to Triangulated Intaglios, Second Movement, Mountainous, and Orchestra—she builds modular suites that operate like scores. Privileging material intelligence over signature and revaluing “women’s work,” Albers makes print a democratic field for thinking-by-making, where craft, philosophy, and reproducibility cohere.
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Modern Women
The Art of Sonia Delaunay, Anni Albers and Benita Koch-Otte 11 September - 18 December 2025Modernity, for Sonia Delaunay, Anni Albers, and Benita Koch-Otte, was never a single breakthrough but a rhythm of repeats—motifs multiplied across fabric, print, and photograph. Each artist translated the Bauhaus... -
Gesture and Form
Selected Drawings from the 20th and 21st Century 12 June - 26 September 2025Gesture and Form: Selected Drawings from the 20th and 21st Century explores the act of mark-making as a means of expression, innovation, and experimentation. Drawing has long served as a... -
Julio González
Sculptures and Drawings from the 1930s 24 July - 11 September 2025This intimate exhibition, presented in a dedicated viewing room, showcases a curated selection of key sculptures and drawings by Julio González from the 1930s, a pivotal decade in his artistic...
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