Overview

“I like to make an image that is so simple you can’t avoid it, and so complicated you can’t figure it out.”

Alex Katz (b. 1927, Brooklyn, New York) is an American painter and printmaker best known for his large-scale portraits and landscapes. The artist studied at the Cooper Union in New York and then the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. The latter experience instilled in Katz the importance of drawing from life, integral to his practice. Inspired by Japanese woodcuts, his works are characterized by flatness, bright color, and the sense of emotional detachment. Initially, Katz primarily focused on portraits with monochrome backgrounds, with over 250 made of his wife alone. He later created group portraits, portraying his circle of friends, including painters, poets, and critics. Katz also painted dancers and fashion models in designer clothing.  In the late 20th century, he shifted his focus to large landscapes he referred to as “environmental,” which are more painterly than his earlier work. More recently, he has begun using his iPhone to take pictures that serve as the basis for his paintings. A prolific printmaker, he has also created lithographs, etchings, silkscreens, woodcuts, and linoleum cuts. He is heralded as a precursor to the Pop movement for his unique style that bridges abstraction and representation.

Works
  • Alex Katz, Straw Hat 2, 2022
    Alex Katz
    Straw Hat 2, 2022
    Archival pigment ink on Innova Etching Cotton Rag 315 gsm paper
    48 x 36 in (122 x 91 cm)
    Edition of 100, plus 20 AP
  • Alex Katz, December (Ada), 2020
    Alex Katz
    December (Ada), 2020
    Archival print inks on Crane Museo Max 365 gsm fine art paper
    11 1/2 x 9 1/2 in (29.2 x 24.1 cm)
    Edition of 100, plus 25 AP
  • Alex Katz, Sunset 1, 2020
    Alex Katz
    Sunset 1, 2020
    Archival pigment inks on cotton rag 315 gsm paper
    55 x 42 in (139.7 x 106.7 cm)
    Edition of 35, plus 8 AP
  • Alex Katz, Yellow Flags 3, 2020
    Alex Katz
    Yellow Flags 3, 2020
    Archival pigment inks on Crane Museo paper
    34 1/8 x 23 in (86.4 x 58.4 cm)
    Edition of 150, plus 25 AP
  • Alex Katz, Yellow Flags 4, 2020
    Alex Katz
    Yellow Flags 4, 2020
    Photo etching, photogravure and aquatint in five colors on Somerset Satin White 500 gsm fine art paper
    46 x 31 in (116.8 x 78.7 cm)
    Edition of 50, plus 6 AP
  • Alex Katz, Departure (Ada), 2017
    Alex Katz
    Departure (Ada), 2017
    Cutout from shaped powder-coated aluminum, printed the same on each side with UV cured archival inks, clear coated, and mounted to bronze base.
    22 1/2 × 8 1/2 × 2 1/2 in (57.2 × 21.6 × 6.4 cm)
    Edition of 60, plus 20 AP
  • Alex Katz, White Impatiens, 2016
    Alex Katz
    White Impatiens, 2016
    26-color silkscreen on Saunders 425 gsm paper
    70 x 56 in (177.8 x 142.2 cm)
    Edition of 70, plus 15 AP
  • Alex Katz, Sophie, 2012
    Alex Katz
    Sophie, 2012
    Thirty-eight colors silkscreen print on Rising White 2-Ply museum board
    39 x 41 in (99.1 x 104.1 cm)
    Edition of 60, plus 12 AP, 4 HC, 1 RTP
Projects
Press