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Eduardo Chillida Poetics of the Small

Past exhibition
10 May - 25 July 2024
  • Overview
  • Works
Open a larger version of the following image in a popup: Eduardo Chillida, Anjana, 1989
Open a larger version of the following image in a popup: Eduardo Chillida, Anjana, 1989
Open a larger version of the following image in a popup: Eduardo Chillida, Anjana, 1989

Eduardo Chillida

Anjana, 1989
Etching aquatint on Lafranca paper
11 1/4 x 8 1/2 in (28.5 x 21.5 cm)
Edition of 50, plus 13 AP
© 2025 Artists Rights Society (ARS), New York / VEGAP, Madrid. Courtesy of Zeit Contemporary Art, New York.
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Further images

  • (View a larger image of thumbnail 1 ) Eduardo Chillida, Begirari, 1989
  • (View a larger image of thumbnail 2 ) Eduardo Chillida, Begirari, 1989
  • (View a larger image of thumbnail 3 ) Eduardo Chillida, Begirari, 1989
Eduardo Chillida's ‘Anjana,’ completed in 1989, is a remarkable piece that exemplifies the artist's mastery of etching and aquatint techniques. This artwork, created on the highly textured Lafranca paper, echoes...
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Eduardo Chillida's ‘Anjana,’ completed in 1989, is a remarkable piece that exemplifies the artist's mastery of etching and aquatint techniques. This artwork, created on the highly textured Lafranca paper, echoes the tactile qualities present in Chillida's renowned sculptures made from iron or fireclay. The rough, almost organic texture of the paper itself becomes an integral part of the composition, engaging the viewer not only visually but also evoking a sense of touch, reminiscent of the artist’s three-dimensional works.


Visually, ‘Anjana’ is both stark and striking. The black forms that punctuate the white expanse of the paper are bold yet enigmatic, suggesting figures or symbols that invite interpretation. These shapes, simple yet profound, evoke a sense of balance and harmony, characteristic of Chillida's abstract language. The etching's reductivist aesthetic, combined with the rich texture of the Lafranca paper, creates a compelling interplay of light and shadow, adding depth and dimension to the piece. This delicate balance between the abstract and the tactile mirrors the ethereal nature of its namesake.


The title ‘Anjana’ holds a poetic resonance within this work. In Cantabrian mythology, Anjana is a benevolent fairy, a nymph-like creature known for her kindness and protective nature. Chillida's abstract representation captures the essence of this mythical figure, not through literal depiction but through evocation. The black forms could be seen as the fleeting glimpses of the fairy herself, partially hidden yet ever-present, embodying her elusive and enchanting nature. The simplicity of the forms contrasts with the complexity of the myth, creating a space for the viewer's imagination to wander and connect with the cultural narrative of this region on Northern Spain.


This artwork’s creation and its publication by Fernando Silió, a gallerist based in Santander, Cantabria, further illustrate Chillida's deep understanding of place and cultural specificity. By engaging with the myth of Anjana, Chillida not only pays homage to the folklore of Cantabria but also embeds a piece of this culture within his abstract language. The collaboration with Silió underscores the artist’s intent to honor and reflect the unique essence of Cantabrian heritage. Through ‘Anjana,’ Chillida demonstrates his ability to transcend mere abstraction, weaving together myth, material, and a profound sense of place into a unified artistic expression.


NOTES


This artwork is signed and numbered in pencil.

Published by Fernando Silió, Santander, and printed at Taller Hatz, San Sebastián.

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Provenance

Galeria Fernando Silió, Santander
Galerie Barthelemy Bouscayrol, Biarritz
Private collection, Europe
Private collection, New York

Literature

Martin Van Der Koelen. Eduardo Chillida: Opus P.III: Catalogue Raisonné of the Original Prints, 1986-1996. Munich, 1996, cat. no. 89010, pp. 164-165 (illustrated in color).
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