Chillida's fascination with light extends beyond mere visual representation; it is a philosophical inquiry. Throughout his career, he sought to capture the essence of light, exploring its capacity to reveal and conceal, to create and dissolve forms. This interest is evident in both his monumental sculptures and his more intimate works on paper. In 'Argi I,' the black forms can be seen as interruptions in a field of light, much like his sculptures interact with their surrounding space. The delicate gradations and contrasts achieved through etching and aquatint mimic the play of natural light, inviting viewers to ponder the deeper metaphysical implications of illumination and shadow.

Technically, 'Argi I' showcases Chillida's mastery of printmaking techniques. The use of etching and aquatint allows for a range of tonal variations, from deep blacks to subtle greys. The incorporation of relief adds another layer of complexity, with raised areas casting gentle shadows that enhance the sense of depth and texture. The highly textured Segundo Santos paper further enriches the piece, its handmade quality contributing to the artwork's unique character. Through these techniques, Chillida not only explores the visual qualities of light but also creates a tactile experience, inviting viewers to engage with the work on both a visual and a sensory level. This poetic interplay of light, form, and texture exemplifies Chillida's ability to convey profound concepts through minimalist yet powerful visual language.

NOTES

This artwork is signed and numbered in pencil.

Published by Galerie Lelong, Zürich, and printed at Taller Hatz, San Sebastián.